Even after looking at Joey Cee’s lengthy, lengthy resume, you feel the need to ask him, ‘What do you do for a living?’ His answer is typically cryptic — “When you find out, you tell me. People call me a Renaissance man or an entrepreneur. I wear so many hats. When I see an opportunity, I grab it.”

His fascination with music started as a four-year-old singing in the choir in Toronto. As a teen, he developed an uncanny ear for finding songs with staying power. He was a high school hit-picker for CHUM, then wrote the first “pick the hits” column for the Toronto Star. He DJed dances at almost every high school in Toronto, then started Canadian Bandstand 63, where he played tunes his fellow teens flocked to hear. Gordon Lightfoot was his first “live” entertainment, lip-syncing his first single.

He was the youngest music director ever in Canada when Foster Hewitt hired him at CKFH, where he broke songs like Born to be Wild by Steppenwolf. That group used to be called Jack London and the Sparrow when Joey was occasionally their guest singer in Yorkville.

It was an era when music programmers Frank Gould at Montreal’s CFOX, Nevin Grant at Hamilton’s CKOC, Rosalie Tremblay at Windsor’s CKLW and Joey Cee chose the theme songs for Canada’s musical coming-of-age parties. The last time somebody else paid him a regular cheque was when he left radio in 1970.

“I have to create things because I need to survive,” he says, “and I have to pull out all the stops.” And, my, how many stops he has pulled? He’s written hit songs and sung a few. He published Record Week for three years — it was printed at Sam McCallion’s presses on Falconer Dr.

He’s published HOToronto Magazine for two decades, owned an art gallery, emceed for Neil Diamond, The Who, Tina Turner, BTO and many more, owned and operated his own record label, Nightflite; produced a record album for Playboy Magazine owner Hugh Hefner; published concert books, set up a celebratory “Canada Day” in Los Angeles; been a Juno judge, co-ordinated Toronto’s Chocolate Ball and Chocolate festival; and has been associate director of the Beaches Jazz Festival for 26 years.

When he published Record Week his fiercest competitors were Walt Grealis and Stan Klees, who ran RPM Magazine and established the Junos. Years later, they honoured him with the Canadian Music Industry Hall of Fame Award. “When you came along, you lit a fire under us,” Grealis explained.

Since 1986, he’s run most of these ventures from his Erin Mills home. As promotion manager for Heartbreakers nightclub in the city centre, he established the first Mississauga Talent Search contest and pioneered the concept of all-age dances, since been widely duplicated. And he’s helped put on numerous local charity shows, including the Rainbow Ball and mentored about 100 interns, many of whom now work in the music business. And he knows a thing or two about walks of fame.

He nominated Norman Jewison for his spot on the Walk of Fame on Hollywood Blvd. He tried but failed to find backers for a Walk of Fame in Toronto, a decade before it became a reality. He’s usually the guy organizing the Walk of Fame ceremonies but today Joey Cee can add a new innovation to his resume — first time being on the receiving end of a Walk of Fame induction.

Congratulations Joey.